This useful pairing finds Brahms at his most autumnal, the entire quartet unfolding at moderate speeds and the quintet dominated by a mood of elegy and nostalgia.
The Brodskys offer a mellow account of the former and blend well with Collins in the latter – especially the great Adagio, which has a shimmering, ruminative quality.
But it is essential in this music not to wallow in the reflective aspects to the point where tempi drag and contrasts are ironed out – a trap into which these gentle, almost genteel, performances nearly fall.
String Quartet Op 51 No 2, Clarinet Quintet
Brodsky Quartet, Michael Collins