A Florentine Tragedy, Zemlinsky’s one-act opera, oozes private agendas: on one hand he was obsessed with Mahler’s unfaithful wife Alma, on the other he wanted to emulate Strauss’s success with Salome, with its equally lurid subject matter.

The outcome was a gory tale of illicit love, portrayed in sumptuous orchestral colours, its intensity barely contained until the denouement.

Recorded live in concert, Jurowski’s performance makes a thrilling appeal to the imagination, abetted by visceral contributions from the three soloists – Heike Wessels, Sergey Skorokhodov and Albert Dohmen.

The Maeterlinck Songs, with mezzo Petra Lang, are not quite on the same level.


A Florentine Tragedy/Six Maeterlinck Songs

Vladimir Jurowski

(London Philharmonic Orchestra)

Get alerts on Life & Arts when a new story is published

Copyright The Financial Times Limited 2022. All rights reserved.
Reuse this content (opens in new window) CommentsJump to comments section

Follow the topics in this article