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The New York City Ballet dancer is hemmed in by Matthew Bourne’s adaptation
Matthew Bourne’s reworking of the seminal movie is ravishingly staged but needs stronger casting
Hilary Davidson explores the colourful history of footwear in fairy tales and folklore
Thelma Schoonmaker has edited every film by Martin Scorsese since 1980. Now the duo are working to preserve the films of her late husband and Scorsese’s hero, the director Michael Powell
Penny Woolcock’s new film about her efforts to broker a truce between gangs in Birmingham is a tale of perseverance and love
A new V&A show features costumes that helped create the glamour of Hollywood movies
Such were the dimensions of ballet impresario Sergei Diaghilev’s greatness that, rather than spawn imitators, his death caused art to regress
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