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The visiting company’s programme of mostly 21st-century works is a mixed affair
New York City Ballet and Joffrey Ballet kicked off a run of performances celebrating the choreographer’s centenary
This rarely staged piece showed how the choreographer dug deep into the history of dance
Two works by the choreographer shone in an otherwise uneven programme
New York City Ballet’s dancers were supremely attuned in two pieces
A refreshingly sober evening of American miniatures from Paris Opera Ballet
The triple bill that followed Benjamin Millepied’s resignation felt in many ways like a postmortem
Benjamin Millepied seeks to revolutionise the Paris Opera Ballet ensemble; Boris Charmatz sends it pirouetting through the past
This performance came alive because the dancers had trust in MacMillan’s choreography
The company revived works from the 1940s that contrasted a comic wild west with tortured repression
The biennial dance festival conjured up some intriguing contrasts between local and visiting troupes
The Age of Anxiety, Dance ’til Dawn and Torobaka
Jerome Robbins’ source ballet for ‘On the Town’ is electric and affecting
A revival of the 1944 musical that captures the joy, and the loneliness, of sailors on shore leave
Designer costumes and choreography were in perfect accord in a programme of premieres
Jerome Robbins’ Chopin-inspired ballet showcases the company’s up and coming stars
Jean-Christophe Maillot’s intellectually stimulating new work incorporates Hollywood musicals and Hiroshima
Helgi Tomasson led American ballet out of the shadow of George Balanchine and the New York-centric dance world
Jerome Robbins’ comic excursion into the realm of loopy fantasy is performed with impeccable timing
Whatever 2011 failed to bring, some dance performances and productions shone
A programme designed as a homecoming for French choreographer Benjamin Millepied
International Edition