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<title>Theatre &amp; Dance - Financial Times</title>
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<pubDate>Fri, 17 May 2013 17:38:07 GMT</pubDate>
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<title>Harry Eyres: The essence of artistry</title>
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<description>There are levels of artistry beyond the most sterling professionalism, the visceral communication of the deepest and strongest emotions, writes Harry Eyres</description>
<pubDate>Fri, 17 May 2013 17:38:07 GMT</pubDate>
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<title>French baroque, back on a roll</title>
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<description>Why 18th-century composer Jean-Philippe Rameau is making a belated debut at Glyndebourne this summer, writes Andrew Clark</description>
<pubDate>Fri, 17 May 2013 17:35:11 GMT</pubDate>
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<title>Design, set, match</title>
<link>http://www.ft.com/cms/s/2/6a740dc6-be0f-11e2-bb35-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Fashion designer Azzedine Alaïa and architect Jean Nouvel are working together for the first time on ‘The Marriage of Figaro’, writes Rachel Grant</description>
<pubDate>Fri, 17 May 2013 17:28:45 GMT</pubDate>
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<title>The Victorian in the Wall, Royal Court, London</title>
<link>http://www.ft.com/cms/s/2/f8fade30-bed7-11e2-a9d4-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Will Adamsdale’s drama is all terribly amusing, in an easy-going middle class way, writes Ian Shuttleworth</description>
<pubDate>Fri, 17 May 2013 15:07:52 GMT</pubDate>
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<title>Hubbard Street Dance, Joyce Theater, New York</title>
<link>http://www.ft.com/cms/s/2/f000b648-be13-11e2-9b27-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>The Chicago troupe, visiting New York for the first time since 2008, turned a familiar template to devious and arresting ends, writes Apollinaire Scherr</description>
<pubDate>Thu, 16 May 2013 16:46:56 GMT</pubDate>
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<title>Public Enemy, Young Vic, London</title>
<link>http://www.ft.com/cms/s/2/148ae9fa-bd58-11e2-a735-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>This restless and discomfiting staging tackles Ibsen’s perennially topical classic with provocative comic zest, writes Sarah Hemming</description>
<pubDate>Wed, 15 May 2013 16:15:26 GMT</pubDate>
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<title>The Great Gatsby, Sadler’s Wells, London</title>
<link>http://www.ft.com/cms/s/2/695304ae-bd44-11e2-a735-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Though energetically danced, this is a musically flimsy, choreographically unconvincing adaptation of Fitzgerald’s novel</description>
<pubDate>Wed, 15 May 2013 14:27:21 GMT</pubDate>
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<title>London tightens grip on arts donations</title>
<link>http://www.ft.com/cms/s/0/1df72d64-bcc2-11e2-b344-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Figures will deal blow to theatres, galleries and arts groups across regions suffering from cuts in government funding and a sluggish recovery</description>
<pubDate>Tue, 14 May 2013 20:05:43 GMT</pubDate>
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<title>Larisa and the Merchants, Arcola Theatre, London</title>
<link>http://www.ft.com/cms/s/2/57c2ff7e-bbea-11e2-a4b4-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>A precursor to Chekhov’s dramas, this 19th-century Russian play is given a contemporary flavour by InSite Performance, writes Paul Gould</description>
<pubDate>Tue, 14 May 2013 16:30:15 GMT</pubDate>
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<title>Sons Without Fathers, Arcola Theatre, London</title>
<link>http://www.ft.com/cms/s/2/ded31552-bbc3-11e2-a4b4-00144feab7de.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>This adaptation of an early Chekhov play is intellectually admirable but dramatically unengaging, writes Ian Shuttleworth</description>
<pubDate>Mon, 13 May 2013 16:28:10 GMT</pubDate>
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<title>The Hothouse, Trafalgar Studios, London</title>
<link>http://www.ft.com/cms/s/2/f784c256-b954-11e2-9a9f-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Harold Pinter’s early play about a sinister medical institution is superbly delivered by a cast that includes a thundering, blustering Simon Russell Beale, writes Sarah Hemming</description>
<pubDate>Sun, 12 May 2013 16:21:38 GMT</pubDate>
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<title>Britten: The Canticles, Theatre Royal, Brighton</title>
<link>http://www.ft.com/cms/s/2/5bafc22c-b954-11e2-9a9f-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Though musically excellent, these staged performances of Britten’s Canticles detracted from the imaginative thrust of the poetry, writes Andrew Clark</description>
<pubDate>Sun, 12 May 2013 16:21:26 GMT</pubDate>
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<title>Performance art, Frieze New York</title>
<link>http://www.ft.com/cms/s/2/19aa91f6-b952-11e2-bc57-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Art fairs such as Frieze New York are increasingly incorporating performance art into their programmes, writes Griselda Murray Brown</description>
<pubDate>Sun, 12 May 2013 16:21:21 GMT</pubDate>
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<title>Prize and prejudice</title>
<link>http://www.ft.com/cms/s/2/fdc6a308-b7c6-11e2-9f1a-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Ayad Akhtar tells Maya Jaggi his Pulitzer-winning play navigates the ‘minefield of religious identity in a secular world’</description>
<pubDate>Fri, 10 May 2013 17:35:27 GMT</pubDate>
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<title>Calixto Bieito interview</title>
<link>http://www.ft.com/cms/s/2/15eba112-b408-11e2-b5a5-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>As Calixto Bieito prepares to stage Britten’s ‘War Requiem’ in Basel, and to bring ‘Fidelio’ to London, he discusses his controversial career with Julius Purcell</description>
<pubDate>Fri, 10 May 2013 17:35:01 GMT</pubDate>
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<title>Travels with My Aunt, Menier Chocolate Factory, London</title>
<link>http://www.ft.com/cms/s/2/c1f1c504-b89a-11e2-869f-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Christopher Luscombe directs a cast of four grey-haired men in scenes that flit about in pleasant, spritely fashion, writes Alexander Gilmour</description>
<pubDate>Fri, 10 May 2013 17:33:55 GMT</pubDate>
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<title>Wheeldon premieres, New York City Ballet, Lincoln Center, New York</title>
<link>http://www.ft.com/cms/s/2/0c875e8a-b89b-11e2-869f-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Signature themes in the choreographer’s ‘Soirée Musicale’ and ‘A Place for Us’ infuse ballet’s future with hope once more, writes Apollinaire Scherr</description>
<pubDate>Fri, 10 May 2013 17:33:30 GMT</pubDate>
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<title>Hansel and Gretel, Linbury Studio, Royal Opera House, London</title>
<link>http://www.ft.com/cms/s/2/fe0b1fa4-b890-11e2-869f-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>An admirable cast and a strong score are insufficient compensation for this production’s predictable choreography, writes Clement Crisp</description>
<pubDate>Thu, 09 May 2013 16:35:38 GMT</pubDate>
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<title>The Match Box, Tricycle Theatre, London</title>
<link>http://www.ft.com/cms/s/2/3616e9c6-b8a2-11e2-869f-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>Frank McGuinness’s one-woman play is harrowing but flecked with humour, writes Sarah Hemming</description>
<pubDate>Thu, 09 May 2013 16:35:09 GMT</pubDate>
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<title>Passion Play, Duke of York’s Theatre, London</title>
<link>http://www.ft.com/cms/s/2/cc3eba74-b7d4-11e2-9f1a-00144feabdc0.html?ftcamp=published_links%2Frss%2Flife-arts_theatre-dance%2Ffeed%2F%2Fproduct</link>
<description>At its best, this innovative exploration of infidelity is mercilessly brilliant, writes Sarah Hemming</description>
<pubDate>Wed, 08 May 2013 17:04:17 GMT</pubDate>
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