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<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://www.ft.com/FTCOM/XSL/styleRSSFeed.xsl"?><rss xmlns:java="java" xmlns:ft="http://www.ft.com/FTRSSExtensions" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><atom:link type="application/xml" rel="self" href="http://www.ft.com/rss/arts/visual"/><title>FT.com - Arts &amp; weekend, Visual Arts</title><link>http://www.ft.com/arts/visual</link><ft:rsslink>http://www.ft.com/rss/arts/visual</ft:rsslink><description>FT.com - Arts &amp; weekend, Visual Arts</description><language>en</language><copyright>© Copyright The Financial Times Ltd 2009. "FT" and "Financial Times" are trademarks of the Financial Times. See http://www.ft.com/servicestools/help/terms#legal1 for the terms and conditions of reuse.</copyright><webMaster>client.support@ft.com (Client Support)</webMaster><pubDate>Fri, 20 Nov 2009 22:57:47 +0000</pubDate><lastBuildDate>Sat, 21 Nov 2009 21:36:33 +0000</lastBuildDate><category>Newspapers</category><ttl>15</ttl><image><url>http://news.ft.com/cms/d1f3ce1a-6bbe-11da-bb53-0000779e2340.gif</url><title>FT.com - Arts &amp; weekend, Visual Arts</title><link>http://www.ft.com/arts/visual</link></image><rating>(PICS-1.1 "http://www.classify.org/safesurf/" L gen true for "http://www.ft.com/" r (SS~~000 1))</rating><item><title>Monet at the Helly Nahmad Gallery</title><link>http://traxfer.ft.com/cms/s/2/56b5a4ae-d568-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/56b5a4ae-d568-11de-81ee-00144feabdc0.html</guid><description>Jackie Wullschlager on a rare and unnerving exhibition of high-calibre works from the French master that were kept in private hands for a century</description><pubDate>Fri, 20 Nov 2009 22:57:47 +0000</pubDate></item><item><title>Elliott Erwitt at the Museo di Roma</title><link>http://traxfer.ft.com/cms/s/2/519732ee-d568-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/519732ee-d568-11de-81ee-00144feabdc0.html</guid><description>The photographer of talks to Rachel Spence about his latest show, a collection of stunning images of Rome taken over a 50-year period</description><pubDate>Fri, 20 Nov 2009 22:55:04 +0000</pubDate></item><item><title>How to navigate the Golden Art triangle</title><link>http://traxfer.ft.com/cms/s/0/2544373c-d4a5-11de-a935-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/0/2544373c-d4a5-11de-a935-00144feabdc0.html</guid><description>Due to the sheer size of the three world-class museums in Madrid it would be wise to pick out works, genres and temporary exhibitions in advance</description><pubDate>Fri, 20 Nov 2009 15:22:52 +0000</pubDate></item><item><title>David Hockney at Nottingham Contemporary</title><link>http://traxfer.ft.com/cms/s/2/45e4be4e-cfe1-11de-a36d-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/45e4be4e-cfe1-11de-a36d-00144feabdc0.html</guid><description>The new kid on the block of public art galleries launches with what Jackie Wullschlager calls a sexy, funny, scholarly and extremely relevant show by the illustrator of genius</description><pubDate>Sat, 14 Nov 2009 12:46:13 +0000</pubDate></item><item><title>Mexican prints at the British Museum</title><link>http://traxfer.ft.com/cms/s/2/42664abc-cfe1-11de-a36d-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/42664abc-cfe1-11de-a36d-00144feabdc0.html</guid><description>Robin Blake visits an exhibition of broadsheets, posters and fine art prints made in the early 20th century by left-wing Mexican artists</description><pubDate>Fri, 13 Nov 2009 22:05:52 +0000</pubDate></item><item><title>Who Shot Rock &amp; Roll, Brooklyn Museum, New York</title><link>http://traxfer.ft.com/cms/s/2/77309d56-cfaf-11de-a36d-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/77309d56-cfaf-11de-a36d-00144feabdc0.html</guid><description>Ariella Budick visits and exhibition that argues that rock photography is to music what war is to politics, a continuation by other means</description><pubDate>Thu, 12 Nov 2009 22:10:02 +0000</pubDate></item><item><title>Warhol sale gives brush-off to art downturn </title><link>http://traxfer.ft.com/cms/s/0/fec0cb50-cf6f-11de-b876-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/0/fec0cb50-cf6f-11de-b876-00144feabdc0.html</guid><description>The sagging market for contemporary art bursts back into life with a painting by Andy Warhol selling for $43.8m at Sotheby's New York, far above its pre-sale estimate of $8m-$12m</description><pubDate>Thu, 12 Nov 2009 17:15:34 +0000</pubDate></item><item><title>Tate Britain director appointed</title><link>http://traxfer.ft.com/cms/s/0/581080c8-ced6-11de-8a4b-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/0/581080c8-ced6-11de-8a4b-00144feabdc0.html</guid><description>Penelope Curtis, curator of the Henry Moore Institute in Leeds, is appointed director of Tate Britain</description><pubDate>Wed, 11 Nov 2009 15:51:15 +0000</pubDate></item><item><title>Performa 09, various venues, New York</title><link>http://traxfer.ft.com/cms/s/2/c6d40c96-ce22-11de-a1ea-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/c6d40c96-ce22-11de-a1ea-00144feabdc0.html</guid><description>As the product of Marije Vogelzang's 'Pasta Sauna' neatly illustrated, this performance art festival celebrates a medium that is by its nature ephemeral and inclusive to the point of indefinable, writes Emily Stokes
</description><pubDate>Tue, 10 Nov 2009 20:55:18 +0000</pubDate></item><item><title>FT's art critic turns curator</title><link>http://traxfer.ft.com/cms/s/2/49269e4e-ca62-11de-a3a3-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/49269e4e-ca62-11de-a3a3-00144feabdc0.html</guid><description>Being a 'discerning eye' for an annual event gave Jackie Wullschlager a chance to play fantasy collector – and to be judged by display of her chosen pieces</description><pubDate>Fri, 6 Nov 2009 23:02:02 +0000</pubDate></item><item><title>Playing Stravinsky with a full orchestra</title><link>http://traxfer.ft.com/cms/s/2/53226b26-ca62-11de-a3a3-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/53226b26-ca62-11de-a3a3-00144feabdc0.html</guid><description>Esa-Pekka Salonen's installation 'Re-Rite: Be the Orchestra' targets newcomers to classical music, says Hannah Nepil
</description><pubDate>Fri, 6 Nov 2009 22:50:03 +0000</pubDate></item><item><title>Putting LA at the heart of world culture</title><link>http://traxfer.ft.com/cms/s/2/4e3eb722-ca62-11de-a3a3-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/4e3eb722-ca62-11de-a3a3-00144feabdc0.html</guid><description>The philanthropist and collector Eli Broad tells Peter Aspden he wants his city to become a must-visit cultural destination</description><pubDate>Fri, 6 Nov 2009 22:50:03 +0000</pubDate></item><item><title>Ashmolean Museum, Oxford</title><link>http://traxfer.ft.com/cms/s/2/9306f8aa-ca31-11de-a3a3-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/9306f8aa-ca31-11de-a3a3-00144feabdc0.html</guid><description>A huge redevelopment of the self-proclaimed "world's oldest public museum" has increased the floor area by 50 per cent, rethought the method of display and flooded the place with light and colour, writes Robin Blake  </description><pubDate>Thu, 5 Nov 2009 22:19:45 +0000</pubDate></item><item><title>Points of View, British Library, London</title><link>http://traxfer.ft.com/cms/s/2/304a037c-c89e-11de-8f9d-00144feabdc0.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/304a037c-c89e-11de-8f9d-00144feabdc0.html</guid><description>The real purpose of this show is not so much to tell us about early photography as to let us know that the British Library is one of its great treasure-houses, writes Francis Hodgson
</description><pubDate>Tue, 3 Nov 2009 20:01:09 +0000</pubDate></item><item><title>Arshile Gorky, Philadelphia Museum of Art</title><link>http://traxfer.ft.com/cms/s/2/f4e716d2-c7d3-11de-8ba8-00144feab49a.html?o=%2Frss%2Farts%2Fvisual</link><guid>http://www.ft.com/cms/s/2/f4e716d2-c7d3-11de-8ba8-00144feab49a.html</guid><description>Artists are supposed to be oppressed by the anxiety of influence, but this whopping survey shows that Gorky didn't rebel against his forebears; he revered and emulated them, writes Ariella Budick
</description><pubDate>Mon, 2 Nov 2009 23:13:03 +0000</pubDate></item></channel></rss>






    


