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<title>Financial Times - Theatre &amp; Dance</title>
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<pubDate>Tue, 14 Feb 2012 17:17:30 GMT</pubDate>
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<title>Sex with a Stranger, Trafalgar Studio 2, London</title>
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<description>Stefan Golaszewski’s play directs a coolly televisual gaze on its characters, writes Ian Shuttleworth</description>
<pubDate>Tue, 14 Feb 2012 17:17:30 GMT</pubDate>
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<title>Outward Bound, Finborough Theatre, London</title>
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<description>Sutton Vane’s 1923 play follows seven characters on their way to the afterlife, Ian Shuttleworth writes</description>
<pubDate>Tue, 14 Feb 2012 16:51:33 GMT</pubDate>
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<title>Perm Ballet, Maison de la Danse, Lyon</title>
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<description>Poor production values were redeemed by a sparkling demonstration of Russian style, writes Laura Capelle</description>
<pubDate>Mon, 13 Feb 2012 17:20:27 GMT</pubDate>
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<title>Merrily We Roll Along, City Center, New York</title>
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<description>Brendan Lemon relishes an affecting, musically satisfying production of Furth and Sondheim’s 1981 musical</description>
<pubDate>Mon, 13 Feb 2012 04:44:08 GMT</pubDate>
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<title>Absent Friends, Harold Pinter Theatre, London</title>
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<description>Sarah Hemming relishes a painfully good revival of Ayckbourn’s bleak comedy</description>
<pubDate>Sun, 12 Feb 2012 19:44:22 GMT</pubDate>
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<title>Orphée et Eurydice, Palais Garnier, Paris</title>
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<description>This ‘dance opera’ set to Gluck entered the repertoire of the Paris Opera Ballet in 2005 and the current revival does it complete justice, writes Laura Cappelle</description>
<pubDate>Fri, 10 Feb 2012 21:14:21 GMT</pubDate>
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<title>Two’s a company</title>
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<description>After 31 years, Cheek by Jowl is expanding from the theatre to the big screen. Its founders talk to Emma Hogan about their first feature film</description>
<pubDate>Fri, 10 Feb 2012 21:13:31 GMT</pubDate>
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<title>Repentance / Behind The Lines, Bush Theatre, London</title>
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<description>Sarah Hemming reviews short promising works by local playwrights</description>
<pubDate>Fri, 10 Feb 2012 14:10:03 GMT</pubDate>
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<title>The Dream/Song of the Earth, Royal Opera House, London</title>
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<description>Clement Crisp reports on a double bill that embodies the ideal of England’s national ballet</description>
<pubDate>Fri, 10 Feb 2012 13:55:31 GMT</pubDate>
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<title>British Dance Edition, Sadler’s Wells, London</title>
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<description>A programme meant to represent the best of British dance was anything but, Clement Crisp writes</description>
<pubDate>Fri, 10 Feb 2012 13:51:44 GMT</pubDate>
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<title>Master Class, Vaudeville Theatre, London</title>
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<description>There’s brisk assurance and mercilessness, but also a hint of insecurity, in this portrayal of Maria Callas, writes Ian Shuttleworth</description>
<pubDate>Wed, 08 Feb 2012 18:28:17 GMT</pubDate>
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<title>Stravinsky Violin Concerto, Lincoln Center, New York</title>
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<description>There’s exhilarating dancing and a tender, disturbing pas de deux in Balanchine’s ballet, writes Apollinaire Scherr</description>
<pubDate>Wed, 08 Feb 2012 18:26:08 GMT</pubDate>
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<title>The Devil and Mr Punch, Barbican, London</title>
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<description>This tribute to Mr Punch is an ingenious, surreal piece of theatre, writes Sarah Hemming</description>
<pubDate>Wed, 08 Feb 2012 18:24:49 GMT</pubDate>
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<title>The Pitchfork Disney, Arcola Theatre, London</title>
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<description>The unreal and the everyday collide in this revival of an electrifying drama</description>
<pubDate>Mon, 06 Feb 2012 17:30:06 GMT</pubDate>
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<title>The Changeling, Young Vic, London</title>
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<description>Middleton and Rowley’s dark drama is given an expressionist twist in this Young Vic production</description>
<pubDate>Sun, 05 Feb 2012 16:04:47 GMT</pubDate>
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<title>The Dream/Song of the Earth, Royal Opera House, London</title>
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<description>Both works show the Royal Ballet’s real qualities far better than any of the care-worn ‘classics’, writes Clement Crisp</description>
<pubDate>Fri, 03 Feb 2012 21:06:49 GMT</pubDate>
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<title>Rain makers</title>
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<description>The new version of ‘Singin’ in the Rain’ is the latest production to make a splash on stage, writes Sarah Hemming</description>
<pubDate>Fri, 03 Feb 2012 21:06:49 GMT</pubDate>
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<title>Triple entendre</title>
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<description>Andrew Clark applauds a trio of well-paired opera double bills at Lyon’s ‘Puccini plus’ festival</description>
<pubDate>Fri, 03 Feb 2012 21:06:48 GMT</pubDate>
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<title>Josie Rourke</title>
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<description>Josie Rourke, the new artistic director of the Donmar Warehouse, talks to Clemency Burton-Hill about legacy and an audience’s attention span</description>
<pubDate>Fri, 03 Feb 2012 20:45:53 GMT</pubDate>
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<title>Cedar Lake Contemporary Ballet, Maison de la Danse, Lyon</title>
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<description>The NY-based company brought new works by Hofesh Shechter, Alexander Ekman and Crystal Pite on its first visit to France</description>
<pubDate>Thu, 02 Feb 2012 17:14:55 GMT</pubDate>
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