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<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://www.ft.com/FTCOM/XSL/styleRSSFeed.xsl"?><rss xmlns:java="java" xmlns:ft="http://www.ft.com/FTRSSExtensions" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><atom:link type="application/xml" rel="self" href="http://www.ft.com/rss/arts/performing"/><title>FT.com - Arts &amp; weekend, Theatre &amp; Dance</title><link>http://www.ft.com/arts/performing</link><ft:rsslink>http://www.ft.com/rss/arts/performing</ft:rsslink><description>FT.com - Arts &amp; weekend, Theatre &amp; Dance</description><language>en</language><copyright>© Copyright The Financial Times Ltd 2009. "FT" and "Financial Times" are trademarks of the Financial Times. See http://www.ft.com/servicestools/help/terms#legal1 for the terms and conditions of reuse.</copyright><webMaster>client.support@ft.com (Client Support)</webMaster><pubDate>Fri, 20 Nov 2009 22:55:04 +0000</pubDate><lastBuildDate>Sat, 21 Nov 2009 07:58:39 +0000</lastBuildDate><category>Newspapers</category><ttl>15</ttl><image><url>http://news.ft.com/cms/d1f3ce1a-6bbe-11da-bb53-0000779e2340.gif</url><title>FT.com - Arts &amp; weekend, Theatre &amp; Dance</title><link>http://www.ft.com/arts/performing</link></image><rating>(PICS-1.1 "http://www.classify.org/safesurf/" L gen true for "http://www.ft.com/" r (SS~~000 1))</rating><item><title>A contemporary staging of Handel's 'Messiah'</title><link>http://traxfer.ft.com/cms/s/2/43e5ab30-d568-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/43e5ab30-d568-11de-81ee-00144feabdc0.html</guid><description>An avant-garde director is using metaphor to convey the narrative of the 18th century oratorio, writes Laura Battle
</description><pubDate>Fri, 20 Nov 2009 22:55:04 +0000</pubDate></item><item><title>Cock, Royal Court Theatre Upstairs, London</title><link>http://traxfer.ft.com/cms/s/2/543fb390-d568-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/543fb390-d568-11de-81ee-00144feabdc0.html</guid><description>No one takes their clothes off yet the characters seem terrifyingly naked in this bold, painful and funny drama about the emotional morass of sex, says Sarah Hemming
</description><pubDate>Fri, 20 Nov 2009 22:52:01 +0000</pubDate></item><item><title>The Sleeping Beauty, Royal Opera House, London</title><link>http://traxfer.ft.com/cms/s/2/ba984d6e-d2a2-11de-af63-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/ba984d6e-d2a2-11de-af63-00144feabdc0.html</guid><description>Yevgenia Obraztsova shines as Aurora, displaying the dance's brilliancies with unaffected charm, while Sergey Polunin and Steven Mcrae are worthy princes, writes Clement Crisp
</description><pubDate>Fri, 20 Nov 2009 22:52:01 +0000</pubDate></item><item><title>The Brother/Sister Plays, Public Theater, New York</title><link>http://traxfer.ft.com/cms/s/2/66d407d0-d52d-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/66d407d0-d52d-11de-81ee-00144feabdc0.html</guid><description>Playwright Tarell Alvin McCraney's language has an authentic lyricism and sensuality, writes Brendan Lemon
</description><pubDate>Thu, 19 Nov 2009 23:11:20 +0000</pubDate></item><item><title>Observer, Théâtre de Gennevilliers, Paris</title><link>http://traxfer.ft.com/cms/s/2/64d6f06e-d52d-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/64d6f06e-d52d-11de-81ee-00144feabdc0.html</guid><description>Clare Shine watches a 'mise en voix' of the suffering and questioning of those who experienced the atomic bomb at Hiroshima</description><pubDate>Thu, 19 Nov 2009 23:11:20 +0000</pubDate></item><item><title>The Habit of Art, National Theatre, London</title><link>http://traxfer.ft.com/cms/s/2/ba6811f8-d464-11de-a935-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/ba6811f8-d464-11de-a935-00144feabdc0.html</guid><description>Alan Bennett's play about writing a play about Auden and Britten is rich, meditative, endlessly witty yet ultimately sad, writes Sarah Hemming
</description><pubDate>Wed, 18 Nov 2009 23:16:46 +0000</pubDate></item><item><title>Wally Cardona, Brooklyn Academy of Music, New York</title><link>http://traxfer.ft.com/cms/s/2/b630819c-d464-11de-a935-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/b630819c-d464-11de-a935-00144feabdc0.html</guid><description>Juxtaposing Kierkegaard, spasmic dancing and the sweet voice of youth, the New York choreographer baffles and endears, writes Apollinaire Scherr
</description><pubDate>Wed, 18 Nov 2009 23:16:46 +0000</pubDate></item><item><title>La Danse, Film Forum, New York</title><link>http://traxfer.ft.com/cms/s/2/91629b28-d38f-11de-9607-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/91629b28-d38f-11de-9607-00144feabdc0.html</guid><description>Frederick Wiseman's behind-the-scenes film portrait of the Paris Opera Ballet offers a thrilling, sometimes disorientating perspective on dancers and their choreographers, Apollinaire Scherr writes</description><pubDate>Tue, 17 Nov 2009 23:39:56 +0000</pubDate></item><item><title>The Making of Moo, Orange Tree Theatre, Richmond, UK</title><link>http://traxfer.ft.com/cms/s/2/57d1d36e-d39f-11de-8caf-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/57d1d36e-d39f-11de-8caf-00144feabdc0.html</guid><description>This play takes the very same kind of position that it seeks to denounce, writes Ian Shuttleworth
</description><pubDate>Tue, 17 Nov 2009 23:39:29 +0000</pubDate></item><item><title>Akram Khan, Sadler's Wells, London</title><link>http://traxfer.ft.com/cms/s/2/57218572-d39f-11de-8caf-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/57218572-d39f-11de-8caf-00144feabdc0.html</guid><description>Watching this Indian bharatanatyam dancer, Clement Crisp is reminded how hypnotic and intoxicating great exponents of the style can be</description><pubDate>Tue, 17 Nov 2009 23:37:24 +0000</pubDate></item><item><title>Performa 09, New York</title><link>http://traxfer.ft.com/cms/s/2/5633d336-d39f-11de-8caf-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/5633d336-d39f-11de-8caf-00144feabdc0.html</guid><description>Emily Stokes sees two shows in the performance art festival's second week</description><pubDate>Tue, 17 Nov 2009 23:37:24 +0000</pubDate></item><item><title>Ragtime, Neil Simon Theatre, New York</title><link>http://traxfer.ft.com/cms/s/2/5363c01c-d39f-11de-8caf-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/5363c01c-d39f-11de-8caf-00144feabdc0.html</guid><description>This show based on E.L. Doctorow's 1975 novel isn't quite strong enough to warrant its revival, writes Brendan Lemon
</description><pubDate>Tue, 17 Nov 2009 23:37:24 +0000</pubDate></item><item><title>Médée, Théâtre Nanterre-Amandiers, Paris</title><link>http://traxfer.ft.com/cms/s/2/73fa52d2-d2d2-11de-af63-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/73fa52d2-d2d2-11de-af63-00144feabdc0.html</guid><description>This pared pared-down adaptation is fused with thoroughly modern political resonance, writes Clare Shine
</description><pubDate>Mon, 16 Nov 2009 22:33:53 +0000</pubDate></item><item><title>Birmingham Ballets, Sadler's Wells, London</title><link>http://traxfer.ft.com/cms/s/2/4650b09c-d075-11de-af9c-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/4650b09c-d075-11de-af9c-00144feabdc0.html</guid><description>Clement Crisp has rarely seen more hideous costuming, nor more fatuous movement</description><pubDate>Sun, 15 Nov 2009 22:13:34 +0000</pubDate></item><item><title>The challenges faced by stage designers</title><link>http://traxfer.ft.com/cms/s/2/01b79494-cfe1-11de-a36d-00144feabdc0.html?o=%2Frss%2Farts%2Fperforming</link><guid>http://www.ft.com/cms/s/2/01b79494-cfe1-11de-a36d-00144feabdc0.html</guid><description>Bob Crowley, Anthony Ward, Rae Smith and Ultz talk to Sarah Hemming about their chosen métier as leading 'sculptors in space'</description><pubDate>Fri, 13 Nov 2009 22:05:52 +0000</pubDate></item></channel></rss>






    


