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<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://www.ft.com/FTCOM/XSL/styleRSSFeed.xsl"?><rss xmlns:java="java" xmlns:ft="http://www.ft.com/FTRSSExtensions" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><atom:link type="application/xml" rel="self" href="http://www.ft.com/rss/arts/music"/><title>FT.com - Arts &amp; weekend, Film</title><link>http://www.ft.com/arts/music</link><ft:rsslink>http://www.ft.com/rss/arts/music</ft:rsslink><description>FT.com - Arts &amp; weekend, Film</description><language>en</language><copyright>© Copyright The Financial Times Ltd 2009. "FT" and "Financial Times" are trademarks of the Financial Times. See http://www.ft.com/servicestools/help/terms#legal1 for the terms and conditions of reuse.</copyright><webMaster>client.support@ft.com (Client Support)</webMaster><pubDate>Thu, 19 Nov 2009 23:11:20 +0000</pubDate><lastBuildDate>Fri, 20 Nov 2009 22:53:02 +0000</lastBuildDate><category>Newspapers</category><ttl>15</ttl><image><url>http://news.ft.com/cms/d1f3ce1a-6bbe-11da-bb53-0000779e2340.gif</url><title>FT.com - Arts &amp; weekend, Film</title><link>http://www.ft.com/arts/music</link></image><rating>(PICS-1.1 "http://www.classify.org/safesurf/" L gen true for "http://www.ft.com/" r (SS~~000 1))</rating><item><title>Schnittke's Faust, Royal Festival Hall, London</title><link>http://traxfer.ft.com/cms/s/2/6876ebde-d52d-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/6876ebde-d52d-11de-81ee-00144feabdc0.html</guid><description>Though Vladimir Jurowski led a superb staging, the piece belongs in the more forgettable sector of the composer's legacy, writes Andrew Clark
</description><pubDate>Thu, 19 Nov 2009 23:11:20 +0000</pubDate></item><item><title>The Decemberists, HMV Forum, London</title><link>http://traxfer.ft.com/cms/s/2/63409160-d52d-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/63409160-d52d-11de-81ee-00144feabdc0.html</guid><description>This American band precisely capture the pretty acoustic guitars and crashing riffs of its source material – English folk-rock of the late-1960s and early-1970s, writes Ludovic Hunter-Tilney
</description><pubDate>Thu, 19 Nov 2009 23:11:20 +0000</pubDate></item><item><title>Robert Glasper/Marcus Roberts, London Jazz Festival</title><link>http://traxfer.ft.com/cms/s/2/f3318e42-d531-11de-81ee-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/f3318e42-d531-11de-81ee-00144feabdc0.html</guid><description>Mike Hobart is impressed by two fresh American takes on the acoustic piano trio</description><pubDate>Thu, 19 Nov 2009 23:11:20 +0000</pubDate></item><item><title>Die Frau ohne Schatten, Mariinsky Theatre, St Petersburg</title><link>http://traxfer.ft.com/cms/s/2/bd656450-d464-11de-a935-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/bd656450-d464-11de-a935-00144feabdc0.html</guid><description>With this staging, the opera seems the summit of Strauss's achievement, says George Loomis
</description><pubDate>Wed, 18 Nov 2009 23:16:46 +0000</pubDate></item><item><title>Rihanna, Brixton Academy, London</title><link>http://traxfer.ft.com/cms/s/2/58c8fb76-d39f-11de-8caf-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/58c8fb76-d39f-11de-8caf-00144feabdc0.html</guid><description>The mood at this promo concert for new album 'Rated R' was dark and aggressive, writes Ludovic Hunter-Tilney
</description><pubDate>Tue, 17 Nov 2009 23:37:24 +0000</pubDate></item><item><title>Muse, O2 Arena, London</title><link>http://traxfer.ft.com/cms/s/2/707c5fec-d2d2-11de-af63-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/707c5fec-d2d2-11de-af63-00144feabdc0.html</guid><description>Without Matt Bellamy's pyrotechnic guitar shredding this was standard post-grunge churn, writes Richard Clayton
</description><pubDate>Mon, 16 Nov 2009 22:33:53 +0000</pubDate></item><item><title>From the House of the Dead, Metropolitan Opera, New York</title><link>http://traxfer.ft.com/cms/s/2/72ae6fd0-d2d2-11de-af63-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/72ae6fd0-d2d2-11de-af63-00144feabdc0.html</guid><description>When the curtain fell, stunned silence preceded the inevitable ovation, writes Martin Bernheimer
</description><pubDate>Mon, 16 Nov 2009 22:33:53 +0000</pubDate></item><item><title>Staff Benda Bilili, Barbican, London</title><link>http://traxfer.ft.com/cms/s/2/64dcf49e-d2d2-11de-af63-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/64dcf49e-d2d2-11de-af63-00144feabdc0.html</guid><description>The Congolese band have an extraordinary back story. But what mattered at this gig was their extraordinary music, which confirmed them as the most exciting group to emerge from Africa in years, David Honigmann writes</description><pubDate>Mon, 16 Nov 2009 22:33:53 +0000</pubDate></item><item><title>Beyoncé, O2 Arena, London</title><link>http://traxfer.ft.com/cms/s/2/633650ea-d2d2-11de-af63-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/633650ea-d2d2-11de-af63-00144feabdc0.html</guid><description>The singing was excellent, the dancing immaculate, the spectacle dazzling – but the cumulative effect of the show's meticulously programmed bigness and bluster was ultimately wearing, writes David Cheal
</description><pubDate>Mon, 16 Nov 2009 22:37:38 +0000</pubDate></item><item><title>Sonny Rollins/John Scofield, London</title><link>http://traxfer.ft.com/cms/s/0/bb47ac0e-d1fe-11de-a0f0-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/0/bb47ac0e-d1fe-11de-a0f0-00144feabdc0.html</guid><description>Mike Hobart  hears Sonny Rollins spin grandiose structures from the simplest materials in his headlining concert at the London Jazz Festival</description><pubDate>Sun, 15 Nov 2009 22:13:34 +0000</pubDate></item><item><title>Aldeburgh highlights, King's Place, London</title><link>http://traxfer.ft.com/cms/s/0/4734f0ae-d075-11de-af9c-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/0/4734f0ae-d075-11de-af9c-00144feabdc0.html</guid><description>The rural summer festival is so distinctive that it also flourishes away from home, writes Richard Fairman
</description><pubDate>Sun, 15 Nov 2009 22:13:34 +0000</pubDate></item><item><title>Don Giovanni, David H. Koch Theater, New York</title><link>http://traxfer.ft.com/cms/s/2/59832ab8-cee6-11de-8a4b-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/59832ab8-cee6-11de-8a4b-00144feabdc0.html</guid><description>This was a cleverly plotted, low-budget perversion of Mozart's masterpiece, writes Martin Bernheimer
</description><pubDate>Wed, 11 Nov 2009 22:51:20 +0000</pubDate></item><item><title>American Voices/Esther, David H. Koch Theater, New York</title><link>http://traxfer.ft.com/cms/s/2/89b88fb4-cd4e-11de-8162-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/89b88fb4-cd4e-11de-8162-00144feabdc0.html</guid><description>Martin Bernheimer sees the first two performances at this reopened venue – a tacky pops-concert followed by a grand, grand opera</description><pubDate>Mon, 9 Nov 2009 22:12:53 +0000</pubDate></item><item><title>Otello, War Memorial Opera House, San Francisco</title><link>http://traxfer.ft.com/cms/s/2/25e02aea-ce1d-11de-a1ea-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/25e02aea-ce1d-11de-a1ea-00144feabdc0.html</guid><description>South African tenor Johan Botha is the genuine article: heroic, imposing in manner, heartbreakingly vulnerable in extremis, writes Allan Ulrich
</description><pubDate>Tue, 10 Nov 2009 20:55:18 +0000</pubDate></item><item><title>LSO/Tilson Thomas, Barbican, London</title><link>http://traxfer.ft.com/cms/s/2/8bfc8816-cd4e-11de-8162-00144feabdc0.html?o=%2Frss%2Farts%2Fmusic</link><guid>http://www.ft.com/cms/s/2/8bfc8816-cd4e-11de-8162-00144feabdc0.html</guid><description>The only disappointment in this imaginative programme was the size of the audience, writes Richard Fairman
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