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<pubDate>Tue, 14 Feb 2012 17:32:07 GMT</pubDate>
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<title>June Lovers, Hong Kong City Hall Theatre</title>
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<description>Angel Lam’s opera makes serious points but tries too hard to please, writes Ken Smith</description>
<pubDate>Tue, 14 Feb 2012 17:32:07 GMT</pubDate>
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<title>Mastodon, Brixton Academy, London</title>
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<description>The Atlanta heavy metal band gave an intense display of dark riffs and crushing choruses, writes Ludovic Hunter-Tilney</description>
<pubDate>Tue, 14 Feb 2012 17:29:52 GMT</pubDate>
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<title>La Chartreuse de Parme, Opéra de Marseille</title>
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<description>Director Renée Auphan’s championing of forgotten French opera is to be applauded. But not in this case, writes Francis Carlin</description>
<pubDate>Tue, 14 Feb 2012 17:00:26 GMT</pubDate>
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<title>Richard Goode, Royal Festival Hall, London</title>
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<description>Restraint was the key to this thoughtful piano performance, writes Richard Fairman</description>
<pubDate>Tue, 14 Feb 2012 16:51:57 GMT</pubDate>
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<title>The Tales of Hoffmann, Coliseum, London</title>
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<description>The tale-telling is not as sharp as it could be, but ENO has assembled a strong cast for Offenbach’s comic opera</description>
<pubDate>Mon, 13 Feb 2012 17:19:54 GMT</pubDate>
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<title>Norma, Grand Theatre, Leeds</title>
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<description>Andrew Clark finds Opera North’s bold production an unlikely success</description>
<pubDate>Sun, 12 Feb 2012 19:44:12 GMT</pubDate>
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<title>The Inventory: Iván Fischer</title>
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<description>The award-winning orchestra conductor and composer tells Hester Lacey that people without talent don’t know what the talented are talking about</description>
<pubDate>Fri, 10 Feb 2012 21:53:57 GMT</pubDate>
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<title>LPO/Alsop/Hough, Royal Festival Hall, London</title>
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<description>Pianist Stephen Hough is a perfectionist and delight in precision makes him closer to the standard virtuoso in Liszt, writes Richard Fairman</description>
<pubDate>Fri, 10 Feb 2012 21:14:15 GMT</pubDate>
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<title>Cold play</title>
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<description>Hannah Nepil braves a Nordic winter for Geilo’s annual IceMusic festival and witnesses the baptism of a chilly cello</description>
<pubDate>Fri, 10 Feb 2012 21:13:17 GMT</pubDate>
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<title>Marc-André Hamelin, Wigmore Hall</title>
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<description>The Canadian pianist offered a bird’s-eye view of two centuries of virtuoso piano composition, writes Richard Fairman</description>
<pubDate>Wed, 08 Feb 2012 18:27:09 GMT</pubDate>
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<title>Dennis Rollins Velocity Trio, Boisdale’s Canary Wharf, London</title>
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<description>The trombone-led trio demonstrated their knack for shifting rhythms and supple dynamics, writes Mike Hobart</description>
<pubDate>Sun, 05 Feb 2012 16:15:20 GMT</pubDate>
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<title>Complete Historical Masters, Universal Music</title>
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<description>With live performances and recordings added, these sets are the nearest thing in the jazz canon to complete collections, writes Mike Hobart</description>
<pubDate>Fri, 03 Feb 2012 21:07:52 GMT</pubDate>
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<title>La Cerisaie, Paris Opera (Garnier)</title>
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<description>A dirge-like score, hideous sets and costumes: it would be a total fiasco but for the excellent singing</description>
<pubDate>Wed, 01 Feb 2012 17:38:31 GMT</pubDate>
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<title>Werner Güra, Wigmore Hall, London</title>
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<description>The voice was fresh and flexible, but the emotional temperature in this Lieder recital failed to rise</description>
<pubDate>Wed, 01 Feb 2012 17:36:52 GMT</pubDate>
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<title>Orchestra Baobab, Barbican, London</title>
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<description>An old Afro-Cuban chestnut warms the Barbican on a freezing January night</description>
<pubDate>Tue, 31 Jan 2012 17:20:00 GMT</pubDate>
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<title>Jazz in the Round, Cockpit Theatre, London</title>
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<description>The triple bill featured trumpeter Yazz Ahmed’s trio,; ambient guitar from Stewart McCallum and the premiere of the Black Top trio</description>
<pubDate>Tue, 31 Jan 2012 17:14:39 GMT</pubDate>
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<title>Wagner Dream, Barbican, London</title>
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<description>Jonathan Harvey’s Buddhist opera shackles a slowly building luminous score to a clunky libretto</description>
<pubDate>Mon, 30 Jan 2012 17:10:34 GMT</pubDate>
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<title>Götterdämmerung, Metropolitan Opera, New York</title>
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<description>The final instalment of Robert Lepage’s costly ‘Ring’ cycle lives down to its predecessors</description>
<pubDate>Mon, 30 Jan 2012 17:09:11 GMT</pubDate>
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<title>Lee ‘Scratch’ Perry, Jazz Café, London</title>
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<description>A magnificently eccentric turn from the reggae legend, backed by loping grooves from a first-class band</description>
<pubDate>Mon, 30 Jan 2012 17:08:30 GMT</pubDate>
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<title>Evan Parker’s ‘Might I Suggest’, Vortex, London</title>
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<description>Saxophonist’s festival celebrates Anglo-German musical collaboration with one-off get-togethers and long-established groups, writes Mike Hobart</description>
<pubDate>Sun, 29 Jan 2012 17:17:35 GMT</pubDate>
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