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<pubDate>Fri, 10 Feb 2012 21:16:17 GMT</pubDate>
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<title>East End promise, safely delivered</title>
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<description>‘Call the Midwife’ wants to portray the London area’s past as truly in the past and ripe for heart-warming reminiscence, writes Leo Robson</description>
<pubDate>Fri, 10 Feb 2012 21:16:17 GMT</pubDate>
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<title>Two’s a company</title>
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<description>After 31 years, Cheek by Jowl is expanding from the theatre to the big screen. Its founders talk to Emma Hogan about their first feature film</description>
<pubDate>Fri, 10 Feb 2012 21:13:31 GMT</pubDate>
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<title>Foreign relations</title>
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<description>There’s more to Japanese cinema than animation and horror, as a new touring programme shows, writes Julian Williams</description>
<pubDate>Fri, 10 Feb 2012 21:13:31 GMT</pubDate>
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<title>Dustin Hoffman</title>
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<description>The movie legend talks to Matthew Garrahan about his career, dealing with anti-Semitism and why he’s now starring in his first TV drama</description>
<pubDate>Fri, 10 Feb 2012 21:02:08 GMT</pubDate>
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<title>The economics of literary adaptations</title>
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<description>From Tolstoy and Tolkien to Irvine Welsh, can literary adaptations help to transform an impoverished film industry, asks Carl Wilkinson</description>
<pubDate>Fri, 10 Feb 2012 21:02:08 GMT</pubDate>
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<title>Viggo Mortensen interview</title>
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<description>There’s something about Viggo Mortensen that isn’t quite like other Hollywood leading men. Lucy Kellaway sits down with him and attempts a little psychology</description>
<pubDate>Fri, 10 Feb 2012 20:58:21 GMT</pubDate>
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<title>In the final analysis, it’s a Freudian slip-up</title>
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<description>This week’s films reviewed: David Cronenberg’s ‘A Dangerous Method’, ‘The Muppets’, ‘A Woman in Black’, ‘The Vow’ and ‘Girl Model’</description>
<pubDate>Thu, 09 Feb 2012 18:18:58 GMT</pubDate>
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<title>The world as seen from England</title>
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<description>However seductive we may find France or Spain or Italy, for example, they must finally be deemed baffling, writes Leo Robson</description>
<pubDate>Fri, 03 Feb 2012 21:08:52 GMT</pubDate>
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<title>Interview with the Dardenne brothers</title>
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<description>Nigel Andrews talks to Belgium’s Dardenne brothers about what it takes to work together in their newest film ‘The Kid with a Bike’</description>
<pubDate>Fri, 03 Feb 2012 21:06:48 GMT</pubDate>
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<title>Family entertainment – but not for all the family</title>
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<description>Nigel Andrews reviews the week’s films: Polanski’s ‘Carnage’, ‘Martha Marcy May Marlene’, ‘Young Adult’, ‘Man on a Ledge’ and ‘Chronicle’</description>
<pubDate>Thu, 02 Feb 2012 17:14:30 GMT</pubDate>
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<title>The List: How to survive a Hammer film</title>
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<description>Clive Perrott, co-founder of the Flicker Club, provides a beginners’ guide to the classic series of horror films</description>
<pubDate>Sat, 28 Jan 2012 00:24:23 GMT</pubDate>
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<title>Typically English, basically American</title>
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<description>John McKay’s film ‘We’ll Take Manhattan’ tells the story of English photographer David Bailey’s struggle to be accepted, writes Leo Robson</description>
<pubDate>Fri, 27 Jan 2012 21:06:52 GMT</pubDate>
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<title>Clooney, the menopausal male frump</title>
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<description>Nigel Andrews reviews Alexander Payne’s ‘The Descendants’, Drake Doremus’s ‘Like Crazy’, ‘The Grey’ and ‘Patience (After Sebald)’</description>
<pubDate>Thu, 26 Jan 2012 17:59:39 GMT</pubDate>
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<title>‘The Artist’ leads Oscar nominations</title>
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<description>The Weinstein Company, Sony Pictures and Paramount were the big winners, with their films outstripping nominations for those released by rival studios</description>
<pubDate>Tue, 24 Jan 2012 19:36:23 GMT</pubDate>
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<title>China investors set their sights on Hollywood</title>
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<description>Consortium that missed out on deal to acquire Summit Entertainment is leading charge from Asia into the cultural heartland of the west</description>
<pubDate>Sun, 22 Jan 2012 18:12:33 GMT</pubDate>
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<title>Alliance zooms in on production potential</title>
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<description>Film group is a newcomer to production but hopes its latest release, ‘The Woman in Black’, will create financial and strategic opportunities</description>
<pubDate>Sun, 22 Jan 2012 15:56:37 GMT</pubDate>
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<title>Sex addiction? Damn attractive …</title>
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<description>Many of its victims are rich and successful. It’s clear from films and the media: nothing says ‘winner’ like this affliction, writes Robert Shrimsley</description>
<pubDate>Fri, 20 Jan 2012 22:14:37 GMT</pubDate>
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<title>Something rotten in France – and Denmark</title>
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<description>Jonathan Meades’s show sought to expose ‘les trente glorieuses’ as a period of amnesia and hypocrisy, writes Leo Robson</description>
<pubDate>Fri, 20 Jan 2012 21:28:30 GMT</pubDate>
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<title>Pinewood shelves £200m film set project</title>
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<description>Planning permission to develop 100 acres of greenbelt land in Buckinghamshire into film lots is rejected on grounds it would harm the environment</description>
<pubDate>Fri, 20 Jan 2012 16:47:03 GMT</pubDate>
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<title>Costumes from century of film go on show</title>
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<description>Display includes Dorothy’s pinafore for The Wizard of Oz to the little black dress worn by Hepburn in Breakfast at Tiffany’s</description>
<pubDate>Fri, 20 Jan 2012 16:46:05 GMT</pubDate>
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