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Wed, 30 May 2012 16:20:56 GMT Thu, 31 May 2012 10:14:24 GMT client.support@ft.com (Client Support) 15 Newspapers http://www.ft.com/rss/arts http://im.media.ft.com/m/img/rss/RSS_Default_Image.gif http://www.ft.com/cms/1f9eec62-b9d5-11df-8804-00144feabdc0.html http://www.ft.com/cms/s/2/e6dae1ea-aa4d-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct This adaptation’s chief achievement is in the realm of visual spectacle rather than emotional impact, writes Sarah Hemming Wed, 30 May 2012 16:20:56 GMT http://www.ft.com/cms/s/2/e6dae1ea-aa4d-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct e6dae1ea-aa4d-11e1-8b9d-00144feabdc0 http://www.ft.com/cms/s/2/4af4b288-aa39-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct This Japanese production of Shakespeare’s late romance proceeds with a combination of dreamlike fluidity and narrative clarity, writes Ian Shuttleworth Wed, 30 May 2012 16:20:49 GMT http://www.ft.com/cms/s/2/4af4b288-aa39-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 4af4b288-aa39-11e1-8b9d-00144feabdc0 http://www.ft.com/cms/s/2/4917e0c8-aa40-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct The first European production of Ned Rorem’s opera about small-town America conveyed the work’s strengths, writes Richard Fairman Wed, 30 May 2012 16:15:25 GMT http://www.ft.com/cms/s/2/4917e0c8-aa40-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 4917e0c8-aa40-11e1-8b9d-00144feabdc0 http://www.ft.com/cms/s/2/a711e32a-aa56-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct Sotheby’s expects ‘Peinture (Étoile Bleue)’, which forms part of the Catalan artist’s dream paintings cycle, to fetch between £15m and £20m Wed, 30 May 2012 15:59:44 GMT http://www.ft.com/cms/s/2/a711e32a-aa56-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct a711e32a-aa56-11e1-8b9d-00144feabdc0 http://www.ft.com/cms/s/2/00c2a742-aa39-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct There’s energy – rather too much of it – in the three pieces presented here by this Cuban company, writes Clement Crisp Wed, 30 May 2012 16:15:51 GMT http://www.ft.com/cms/s/2/00c2a742-aa39-11e1-8b9d-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 00c2a742-aa39-11e1-8b9d-00144feabdc0 http://www.ft.com/cms/s/2/65af3dd4-a8ac-11e1-be59-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct With show-stopping numbers and a Houdini escapology act, this is a production that matches its material in scope and audacity, writes Ian Shuttleworth Tue, 29 May 2012 18:06:58 GMT http://www.ft.com/cms/s/2/65af3dd4-a8ac-11e1-be59-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 65af3dd4-a8ac-11e1-be59-00144feabdc0 http://www.ft.com/cms/s/2/635fabce-a977-11e1-9772-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct This gig from the singer and bass player maintained a fine balance between jazz and the mainstream, writes Mike Hobart Tue, 29 May 2012 17:56:03 GMT http://www.ft.com/cms/s/2/635fabce-a977-11e1-9772-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 635fabce-a977-11e1-9772-00144feabdc0 http://www.ft.com/cms/s/2/c77852a2-a97a-11e1-9772-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct Royal Swedish Ballet’s production – here featuring a nerveless replacement for the injured Sylph – is a masterpiece restored, writes Gerald Dowler Tue, 29 May 2012 17:56:13 GMT http://www.ft.com/cms/s/2/c77852a2-a97a-11e1-9772-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct c77852a2-a97a-11e1-9772-00144feabdc0 http://www.ft.com/cms/s/2/76afbdc2-a990-11e1-9972-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct In Steven Berkoff’s comedy about actors on a film set, the ‘darlings’ are boring parodies, the drama clogged with clichés, writes Alexander Gilmour Tue, 29 May 2012 17:44:33 GMT http://www.ft.com/cms/s/2/76afbdc2-a990-11e1-9972-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 76afbdc2-a990-11e1-9972-00144feabdc0 http://www.ft.com/cms/s/2/1c074ce6-a8a5-11e1-a747-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct Michael Haneke’s formidable film about the defiant love of an elderly couple was a deserving winner of this year’s Cannes Palme d’Or, writes Nigel Andrews Mon, 28 May 2012 17:41:39 GMT http://www.ft.com/cms/s/2/1c074ce6-a8a5-11e1-a747-00144feabdc0.html?ftcamp=published_links%2Frss%2Farts%2Ffeed%2F%2Fproduct 1c074ce6-a8a5-11e1-a747-00144feabdc0