Austin Maestro, City Van, London Bridge, EC4
©Chris Dorley-Brown

Snapshot: ‘Drivers in the 1980s’ by Chris Dorley-Brown

The images of people stuck in traffic jams captured the mood of Thatcher’s Britain

David Hockney’s ‘Perspective Should Be Reversed’ (2014)
©Courtesy of David Hockney/Richard Schmidt

David Hockney: twisted perspective

How the artist combines photographs and ‘painterly’ computer touches to replicate the way we see

Theaster Gates

Theaster Gates — artist or activist?

One of the contemporary scene’s hottest figures talks about social practice art

The Art Market: Photo London in focus

London’s new photo fair; Art15 back for third edition

Natalie Frank's 'All Fur III' (2011-14), left, and 'Little Red Cap I' (2011-14)
©Courtesy the artist

Natalie Frank: The Brothers Grimm, The Drawing Center, New York — review

Frank’s illustrations bring out the darkness in the Grimms’ tales

Willie Doherty's 'Border Road' (1994)

The Art of a Nation, Mall Galleries, London — review

A stunning profile of Irish art since the turn of the 20th century

©Anna Huix

The rise of Conrad Shawcross

The British artist talks to Jackie Wullschlager about his most colossal structure yet

‘Swamped’ (1990) by Peter Doig

Big spenders, Big Apple

New York ‘Auction-tigue’; Frieze looks to the past; Giacometti show for Shanghai

Josh Spero

Josh Spero: Art, for what it’s worth

Assigning value to creative expression remains a near-impossible task

‘Speakers’ Corner, London’ (1949)
©Ernst Haas

Snapshot: ‘Speakers’ Corner, London’ (1949), by Ernst Haas

Austrian photojournalist’s series of bustling postwar London