Jared McNeill and Carole Karemera in Peter Brook’s ‘Battlefield’. Photo: Donald Cooper
©Donald Cooper

Battlefield, Young Vic, London — ‘Remarkable grace’

Peter Brook co-directs this meditation on war and its aftermath

Dada Masilo’s 'Swan Lake'. Photo: Yi-Chun Wu
©Yi-Chun Wu

Dada Masilo’s Swan Lake, Joyce Theater, New York — ‘Bold’

The South African choreographer’s version reveals hidden layers

Viktorina Kapitonova and Alexander Jones in ‘Swan Lake’. Photo: Carlos Quezada
©Carlos Quezada

Swan Lake, Opernhaus Zurich — ‘Triumphant’

Alexei Ratmansky’s ‘reconstruction’ is an overwhelming success

Paris Opera Ballet in Jerome Robbins' 'Goldberg Variations'. Photo: Benoîte Fanton
©Benoîte Fanton

Bel/Millepied/ Robbins, Palais Garnier, Paris

This triple bill followed Benjamin Millepied’s resignation announcement

From left, Dennis Herdman, Rachael Stirling and Jessica Baglow in ‘The Winter’s Tale’. Photo: Marc Brenner
©Marc Brenner

The Winter’s Tale, Sam Wanamaker Playhouse, London — ‘Lovely, delicate’

Michel Longhurst’s production makes eloquent use of light

Claire Skinner and Georgina Rich in 'Rabbit Hole'. Photo: Manuel Harlan
©Manuel Harlan

Rabbit Hole, Hampstead Theatre, London — ‘Nothing to fault, but . . . ’

David Lindsay-Abaire’s play about grief lacks a compelling story

Anne Alvaro and Audrey Bonnet. Photo: Christophe Raynaud de Lage
©Christophe Raynaud de Lage

Dans la solitude des champs de coton, Théâtre des Bouffes du Nord, Paris — ‘Thoroughly French’

Bernard-Marie Koltès’s enigmatic 1985 play is given a new twist

Kabuki in the age of social media

Ebizō Ichikawa, heir to a theatrical dynasty, on the challenges of the dance-drama in the modern world

Ralph Fiennes and Sarah Snook in 'The Master Builder' at the Old Vic. Photo: Manuel Harlan
©Manuel Harlan

The Master Builder, Old Vic, London — ‘Psychological acuity’

Ralph Fiennes gives a towering performance in Ibsen’s unwieldy play

Justin Peck's 'The Most Incredible Thing'. Photo: Paul Kolnik
©Paul Kolnik

The Most Incredible Thing, New York City Ballet

Justin Peck’s first story ballet offers mere divertissements

Hong Kong’s ‘lions’ dance for prosperity

A family business limbers up for a lucky Chinese new year

National Theatre ends run of Sunday shows

Directors hoped to tap into popularity of South Bank at weekends

Ma Rainey’s Black Bottom, National Theatre (Lyttelton), London — ‘Pitch-perfect’

August Wilson’s play about music and race is superbly acted

Red Velvet, Garrick Theatre, London — ‘Lester’s towering performance’

A belated West End transfer for this drama about race and theatre

Much ado over Shakespeare’s buy-to-let

Documents reveal playwright to be very modern in financial affairs

Iphigenia in Splott, National Theatre, London — ‘A dramatic sucker punch’

Gary Owen’s drama veers into unexpected and fascinating territory

Escaped Alone, Royal Court Theatre, Jerwood Theatre Downstairs, London — ‘Mastery’

Caryl Churchill’s new play is elliptical, enigmatic and powerful

The Return, Barbican, London — ‘Harrowingly beautiful’

A powerful piece from Australian contemporary circus group Circa

Jeepers Creepers, Leicester Square Theatre, London — ‘Bog-standard biography’

A static, unrevealing new play about the comedian Marty Feldman

The Mother, Tricycle Theatre, London — ‘Shifts of reality and perspective ’

Florian Zeller’s new play is further proof of his prowess

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