Thiago Soares and Marianela Núñez in 'Onegin'
©Tristram Kenton

Onegin, Royal Opera House, London — review

An uneven performance was lit up by Marianela Núñez’s Tatiana

'Petits Morceaux du réel'
©Dan Aucante

Suresnes Cités Danse, Théâtre Jean Vilar, Suresnes, France — review

The urban dance festival’s focus on raw talent has mixed results

Kiran Sonia Sawar in 'The Caucasian Chalk Circle'
©Manuel Harlan

The Caucasian Chalk Circle, Unicorn Theatre, London — review

A vivid production of Brecht’s drama for a younger audience

The RSC's production of 'Oppenheimer'
©Keith Pattison

Oppenheimer, Swan Theatre, Stratford-upon-Avon, UK — review

A complex portrait of the ‘father of the atomic bomb’

Kaori Ito in 'Plexus'
©Mario Del Curto/STRATES

Plexus, Sadler’s Wells, London

Kaori Ito strikes impossible poses amid ravishing optical effects

From left, Patrick Mulryan, Ben Steinfeld, Claire Karpen and Emily Young in 'Into The Woods'
©Joan Marcus

Into the Woods, Laura Pels Theatre, New York

What impresses in the Fiasco staging is less the finesse of the melodies than the jollity of the tone

Richard Alston at rehearsals for ‘Nomadic’ in London
©Howard Sooley

Richard Alston celebrates the 20th anniversary of his dance company

The ‘grand old man of British dance’ discusses instinct, movement and hip-hop

Theatre Ad Infinitum's 'Light'
©Alex Brenner

Light, The Pit, London

As its title might suggest, the production is staged more in the interruptions of total darkness

From left, Jenna Augen, Gina Bramhill and Ilan Goodman in 'Bad Jews'
©Robert Workman

Bad Jews, St James Theatre, London

Joshua Harmon’s searing comedy about three young adults in an American Jewish family

Ashley Bouder and Chase Finlay in 'Symphony in C'
©Paul Kolnik

Balanchine triple bill, New York City Ballet, Lincoln Center — review

A showcase for NYCB’s new generation of dancers

The Changeling, Shakespeare’s Globe (Sam Wanamaker Playhouse), London — review

Comedy is a key element in this production of the revenge tragedy

Institute, Linbury Studio, London — review

A powerful, affecting new show from Gecko theatre company

Jeanne d’Arc au bûcher/Caligula, Théâtre de l’Epée de bois, Paris

A double bill of rarities by Paul Claudel and Albert Camus

Elena Glurdjidze’s ENB swansong, Coliseum, London — review

The Georgian star says farewell after 13 years with the company

The Fever, May Fair Hotel, London

Opulent venue plays its part in an unsettling monologue

Title & Deed, Print Room Theatre, London

Will Eno’s Beckettian play muses on loss and outsiderdom

Liberian Girl, Jerwood Theatre Upstairs, Royal Court, London

Diana Nneka Atuona’s play depicts the horrors of civil war

Bull, Young Vic, London — review

A grimly watchable drama about a fight for survival in the office

Honeymoon in Vegas, Nederlander Theatre, New York

Based on the 1992 movie, the musical assembles its comedic ingredients successfully enough to tap into the moment

Othello, Lyric Hammersmith, London

Instead of being set on Cyprus, this version takes place in the Cypress, a seedy northern English urban pub

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