©AP
Harry Eyres
May 17, 2013
The communication of the deepest and strongest emotions requires both technique and ‘duende’
©Bridgeman Art Library
May 17, 2013
Why 18th-century composer Jean-Philippe Rameau is making a belated debut at Glyndebourne this summer
©Spencer Lowell
From
STYLE
May 17, 2013
Fashion designer Azzedine Alaïa and architect Jean Nouvel are collaborating for the first time on ‘The Marriage of Figaro’
May 17, 2013
A drama that’s terribly amusing, in an easy-going middle class way
©Todd Rosenberg
May 16, 2013
The Chicago troupe turned a familiar template to arresting ends
©Donald Cooper
May 15, 2013
This is a restless and provocative staging of Ibsen’s classic
©Bill Cooper
May 15, 2013
A choreographically unconvincing adaptation of Fitzgerald
©PA
From
UK
May 14, 2013
Capital claims up to 90% of private philanthropy
©Richard Davenport
May 14, 2013
This 19th-century Russian drama is given a contemporary flavour
©Aimon Annand
May 13, 2013
This Chekhov adaptation is intellectually admirable but unengaging
May 12, 2013
Harold Pinter’s early play about a sinister medical institution is superbly delivered by a cast that includes a thundering, blustering Simon Russell Beale
From
MUSIC
May 12, 2013
Though musically excellent, these staged performances of Britten’s Canticles detracted from the imaginative thrust of the poetry
From
VISUAL ARTS
May 12, 2013
Art fairs such as Frieze New York are increasingly incorporating performance art
May 10, 2013
Ayad Akhtar’s Pulitzer-winning play navigates the ‘minefield of religious identity in a secular world’
May 10, 2013
The Catalan director is preparing to stage Britten’s ‘War Requiem’ in Basel and ‘Fidelio’ in London. He discusses his provocative career with Julius Purcell
May 10, 2013
Christopher Luscombe directs a cast of four grey-haired men in scenes that flit about in pleasant, spritely fashion
May 10, 2013
Signature themes in the choreographer’s ‘Soirée Musicale’ and ‘A Place for Us’ infuse ballet’s future with hope once more
May 9, 2013
An admirable cast and a strong score are insufficient compensation for this production’s predictable choreography
May 9, 2013
Frank McGuinness’s one-woman play is harrowing but flecked with humour
May 8, 2013
At its best, this innovative exploration of infidelity is mercilessly brilliant
Harry Eyres: The essence of artistry
The communication of the deepest and strongest emotions requires both technique and ‘duende’