Lars Eidinger as Richard III
©Arno Declair

Richard III, The Lyceum, Edinburgh — review

Lars Eidinger’s monarch is a thrilling, livewire presence

Pamina de Hauteclocque as Julie with Jock Maitland as her dog
©Tadzio

Pacamambo, Théâtre Essaïon, Paris — review

A family show that walks the line between pathos and whimsy

Two Noble Kinsmen, Stratford-upon-Avon

A rare performance of one of Shakespeare’s least known works

©Stephanie Berger

Mozart Dances, Lincoln Center, New York

The three linked dances catch the spirit of the composer’s myriad gestures

Valérie Doucet and James Thierrée in 'The Toad Knew'
©K Mathieson/Livepix

The Toad Knew, King’s Theatre, Edinburgh: review

James Thierrée’s piece is a slapstick study of the creative process

Joan Iyiola and Anna-Maria Nabirye in 'They Drink it in the Congo'
©Marc Brenner

They Drink it in the Congo, Almeida Theatre

Adam Brace’s play takes aim at western hypocrisy and complacency

From left, Sandy Grierson, Jessica Almasy, Brian Ferguson in 'Anything That Gives Off Light'
©Photo: Eoin Carey

Anything That Gives Off Light, Edinburgh

Scots and Americans search for the souls of their nations

Simon Gray, left, and Noël Coward
©Writer Pictures/Getty

Canon fodder: Noël Coward and Simon Gray

Has Gray been unfairly ranked below his flamboyant counterpart?

Cheek by Jowl and Pushkin Theatre's 'Measure for Measure'
©Johan Persson

Measure for Measure, Lyceum Theatre, Edinburgh

This Russian-language co-production is stylish but never stylised

From left, Rhys Meredith, Ian Hughes and Madhav Sharma in 'Strife'
©Johan Persson

Strife, Minerva Studio, Chichester

Bertie Carvel makes a consistently intelligent directorial debut

946: The Amazing Story of Adolphus Tips, Shakespeare’s Globe, London — review

An adaptation of Michael Morpurgo’s children’s novel

Shanghai Ballet: Echoes of Eternity, Coliseum, London — review

Shanghai Ballet’s piece is devotedly danced but incomprehensible

Allegro, Southwark Playhouse, London — review

A spirited revival of Rogers and Hammerstein’s 1947 musical

BalletX, Joyce Theater, New York — ‘Wondrous’

Perennial mysteries and bunny ears featured in the company’s works

Groundhog Day, Old Vic, London — ‘A deserved ovation’

Tim Minchin’s score is one of the highlights of this new musical

Thérèse Raquin, Southwark Playhouse, London — ‘Intensely scary’

A Zola adaptation laced with grim horror

Alan Cumming, Edinburgh Festival — review

The Scottish performer does cabaret as confessional

A Midsummer Night’s Dream, Bath — review

Phil Jupitus makes an appealing Bottom, if not a vintage one

Le Corsaire, Royal Opera House, London — review

The Bolshoi’s production reaffirms the power of its dancers

Shake, Edinburgh Festival — review

‘Twelfth Night’ gets the French bouffon treatment

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