From ARTS May 17, 2013

Peter Aspden: Curiosity didn’t really kill the cat

A new exhibition at Margate’s Turner Contemporary gallery celebrates the wonder of the wandering mind

May 10, 2013

Peter Aspden: Europe casts Hollywood as bad guy

European film-makers claim that the liberalisation of the industry would lead to the destruction of culture

May 3, 2013

Peter Aspden:The band they hate to love

What was great about the Eagles is the reason they are resented by succeeding generations

From ARTS Apr 26, 2013

Peter Aspden: Censors and sensibility

A statue may be shocking but a museum that never shocks is failing in its duty

Julian Barnes in Venice with his wife Pat Kavanagh ©Writer Pictures From BOOKS Apr 12, 2013

Julian Barnes: A memoir of grief

Nearly five years after the death of his wife Pat, the English novelist has found the words to write about his loss. The FT’s arts writer reviews ‘Levels of Life’

From ARTS Mar 29, 2013

The stoic, the upbeat and les misérables

A nation’s cultural imprint can act as a prison for its artists

'The State of Disappearance' by Manal al-Dowayan From ARTS Mar 22, 2013

Safe place for unsafe ideas?

Dubai may become an unlikely locus of artistic freedom in the region

From ARTS Mar 22, 2013

How to make a splash, quietly

Sharjah sits alongside two bigger players whose cultural aspirations are regularly trumpeted around the world. But the emirate has taken a different route

Mar 15, 2013

Pathos for the masses

A new play at Hammersmith’s Lyric Theatre promises to chill the blood

From SPECIAL REPORTS Mar 12, 2013

The highs and lows of a cultural capital

A daring mix of traditional and popular art, and public and private funding, puts London at the cutting edge

From BOOKS Mar 1, 2013

One for the money

A pair of music industry memoirs show management in step with the talent. The FT’s arts writer reviews ‘A Prince Among Stones’ and ‘The Soundtrack of My Life’

Mar 1, 2013

The legacy of the ‘ace caff’

Today, the arts are, almost without exception, beautifully packaged, presented and promoted. But is the art any good?

From ARTS Feb 22, 2013

An artist finds his groove

Dinos Chapman, purveyor of infernal images that make your flesh crawl, has made his first album

From COMMENT Feb 22, 2013

Unwise to bring up the royal body

Mantel v Middleton shows what happens when an intellectual comments on a public subject

From ARTS Feb 22, 2013

Street art acquires value

Art world will never allow an underground movement to remain hidden

From ARTS Feb 15, 2013

And the best is silence

The experience of art is most intense during private, contemplative moments; there are better spaces for noise

Feb 15, 2013

Councils face hard decision over art

Local authorities want to give their residents a sense of their own history

From ARTS Feb 8, 2013

The Duchamp revolution

A season of exhibitions celebrates the artist and provocateur’s influence a century after one of his paintings sparked fierce debate. By Peter Aspden

From ARTS Feb 8, 2013

The artist who came in from the fold

Mat Collishaw makes the uneasy transition from conceptual shock artist to ‘proper’ draughtsman

From COMMENT Feb 1, 2013

Hilary Mantel: author in tune with the times

The novelist brings a modern sensibility to a pivotal point in history

ABOUT PETER

Peter AspdenPeter Aspden is the Financial Times’ arts writer, having previously been its arts editor for five years. He joined the paper in 1994, as deputy books and arts editor and a general feature writer on Weekend FT. He has written on numerous subjects, including travel, religion, politics, history, most art forms and sport: he covered the Olympic Games in Atlanta in 1996, and the World Cup in France in 1998.

He was educated at St Edmund Hall, Oxford, where he read Philosophy, Politics and Economics, before going into journalism. He joined the Times Higher Education Supplement in 1985, where he went on to become deputy editor. He has been writing a weekly column on contemporary culture since January 2004; it appears in the Life & Arts section every Saturday.

E-mail Peter Aspden
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