The House of Magic – film review

'The House of Magic'

A digitally animated adventure that thrills, amuses and amazes

Gael García Bernal in 'Who Is Dayani Cristal?'

Who Is Dayani Cristal? – film review

Gael García Bernal retraces a migrant’s journey

Nicolas Cage and Tye Sheridan in 'Joe'
©Curzon Film World

Joe – film review

Nicolas Cage poisons trees for a living in this issue-heavy drama

Orson Welles and Rita Hayworth in 'The Lady from Shanghai'

The Lady from Shanghai; Branded to Kill – film reviews

Artistic delirium in two re-released monochrome movies

Dwayne Johnson in 'Hercules'

Hercules – film review

Special effects trump story and characterisation in this 3D epic

Finding Vivian Maier – film review

A documentary portrait of bewitching complexities

Norte, the End of History – film review

Three interconnected tales inspired by Crime and Punishment

Supermensch: the Legend of Shep Gordon – film review

Mike Myers’ documentary is a fawning fan job

Jealousy – film review

There are searing truths to be found in Jealousy

I Am Divine
©Andrew Curtis

I Am Divine – film review

Trash-meets-tinsel in I Am Divine

Boyhood - film review

Richard Linklater’s movie is a thing of wonder

Goltzius and the Pelican Company - film review

A racy, ingenious film from Peter Greenaway

Begin Again - film review

A sentimental but enjoyable urban fairy tale

Transformers: Age of Extinction – film review

A bombastic film that bombards viewers with metamorphic metalware

Love Me Till Monday - film review

A British romcom about a Reading girl with witchcraft tendencies

Cycling with Molière – film review

An ex-actor and an ageing soap star seek a late theatrical flourish

Mr Morgan’s Last Love – film review

Michael Caine almost redeems this sentimental film

The 100-Year-Old Man Who Climbed Out the Window and Disappeared – film review

A poorly scripted adaptation of Jonas Jonasson’s comic novel

Goddess – film review

A glee-fest adapted from a one-woman anti-chauvinist cabaret show

A Hard Day’s Night – film review

Richard Lester’s Beatles classic is restored and reissued