Britt Robertson and George Clooney in 'Tomorrowland'

Hollywood learns originality does not pay

Repetition in culture and politics remains popular with the public

Timbuktu

Timbuktu — film review

Jihadis come to town in a Malian tragedy blasted with grim satire

The Connection

The Connection — film review

Jean Dujardin stars as a magistrate on an anti-drugs mission

San Andreas

San Andreas — film review

Dwayne ‘The Rock’ Johnson battles seismic shifts

Danny Collins

Danny Collins — film review

Al Pacino as an ageing folk-rock star and shin-high schmaltz

Man Up

Man Up — film review

Lake Bell and Simon Pegg in a better-than-most British romcom

Cannes Film Festival: winners and losers

The surprise Palme d’Or recipient and the final films shown

The cast of ‘Youth’ (left to right: Michael Caine, Jane Fonda, Harvey Keitel, director Paolo Sorrentino and Rachel Weisz
©Eric Gaillard/Reuters

Cannes Film Festival

The FT’s film critic on the contradictions, surprises and disappointments of 2015’s showcase event

Sheila Vand in ‘A Girl Walks Home Alone at Night’

A Girl Walks Home Alone at Night — film review

Ana Lily Amirpour’s debut film is clever, cool — and funny

Britt Robertson and George Clooney in 'Tomorrowland'

Tomorrowland — film review

Brad Bird’s live-action sci-fi romp is whizzy but muddled

Poltergeist — film review

Sam Rockwell shines in this unexpectedly watchable remake

The New Girlfriend — film review

François Ozon is back on form with this Ruth Rendell adaptation

Moomins on the Riviera — film review

A faithful animated adaptation of Tove Jansson’s 1955 comic

We Are Many — film review

A sturdy documentary about the 2003 protests against the Iraq war

A reel change without losing a frame

Linda Pike passed on the dying art of film projection to her son

Cannes Film Festival: reviews of My Mother, Son of Saul, Amy, and more

The festival came good with Nanni Moretti’s tragical comedy

Artist film: from white cube to black box

Feature-length films made by visual artists have been gaining ground

Cannes Film Festival — first report

The Palme d’Or is pickable from an auspicious roster of auteurs

Mad Max: Fury Road — film review

George Miller’s reboot is a headlong rush of noise and action

The Tribe — film review

A gripping Ukrainian drama, cast entirely with deaf-mute amateurs

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