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Lunch with the FT is a weekly interview in the Life & Arts section with leading cultural and business figures
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Lunch with the FT: Sigrid Rausing
The Tetra Pak heiress and owner of Granta talks about her decision to cut commercialism from the British literary magazine and why saving it is, in itself, a philanthropic act
Lunch with the FT: Eliot Spitzer
The New York governor who was forced to resign last year following a sex scandal talks about real friends, making amends to his family and his disdain for financial regulators
Dinner with the FT: Prince Andrew
The Duke of York, who has flown from Algeria to Ulaanbaatar and made 628 official engagements last year alone, talks about his role as Britain’s travelling salesman
Lunch with the FT: Denise Rich
The songwriter and socialite who has a thing about numbers talks to Vanessa Friedman about her cancer research charity, which was established in memory of her daughter
Lunch with the FT: David Swensen
The manager of Yale’s endowment fund who has become an investing legend among the cognoscenti tells Chrystia Freeland why he loves his job as much as he does
Lunch with the FT: Dalia Grybauskaite
An economist with a black belt in karate, the president of Lithuania tells Gideon Rachman how she plans to get the country out of the economic doldrums
Lunch with the FT: David Hare
The playwright talks to Gillian Tett about his latest work ‘The Power of Yes’ and explains why he cannot understand, let alone empathise with, bankers’ motives
Mario Testino: beyond jetlag
Lunch with the FT: His photographs show a ‘normal’ Princess of Wales and at least 10 different versions of Kate Moss. Over a picnic in his London studio he explains why ‘women are more accepting about possibilities’
Lunch with the FT: Nick Hornby
Lucy Kellaway rummages around the bestselling author’s sock drawer and finds out why he fixes on people who don’t get, and possibly don’t even deserve, much sympathy
Lunch with the FT: Paula Rego
The painter talks to Jackie Wullschlager about the new museum dedicated to her work, her ‘happy and unhappy’ childhood and her views on the link between depression and creativity
