© The Financial Times Ltd 2016
FT and 'Financial Times' are trademarks of The Financial Times Ltd.
The Financial Times and its journalists are subject to a self-regulation regime under the FT Editorial Code of Practice.
December 10, 2011 12:01 am
Rachel Podger and Jane Rogers
Amid the wealth of music Mozart bequeathed us, his two quasi-conversational duo sonatas for violin and viola are easily overlooked. They were written in 1783 on the back of the Sinfonia concertante – and like that masterpiece, they accord the viola a more equal role than was customary.
What these engaging performances underline is how skilfully Mozart transformed two-part writing into four-part textures. His sonatas are played in alternation with two by his friend Michael Haydn – folksier in mood, and with the viola reduced to an accompanying role. Podger and Rogers, experts in bringing life to period style, lend these recreational works the flair they deserve.
Copyright The Financial Times Limited 2016. You may share using our article tools.
Please don't cut articles from FT.com and redistribute by email or post to the web.