January 10, 2014 6:58 pm

Barometer: pink designs

Rose-tint your life without changing your spectacles. Also featured: Soviet silent-film posters
From left: Twiitter table lamp, Agnus mug, Brakig tray, Another Country Mini Bench Three, Margo Selby Woodstock throw Scottish lambswool

From left: Twiitter table lamp, Agnus mug, Brakig tray, Another Country Mini Bench Three, Margo Selby Woodstock throw Scottish lambswool

 Margo Selby Woodstock throw Scottish lambswool

£295, margoselby.com

. . .

More

IN Pursuits

Twiitter table lamp

£150, heals.co.uk

. . .

Brakig tray

Ikea, £12, limited edition Brakig collection, available from February 1, ikea.co.uk

. . .

Agnus mug

Habitat, £5, habitat.co.uk (spring collection, from March)

. . .

Another Country Mini Bench Three

£465, anothercountry.com, available from February

-------------------------------------------

The line-up: Soviet silent-film posters

The 1920s were a shining era for the Soviet film industry, led by acclaimed directors such as Sergei Eisenstein, who helmed the masterful Battleship Potemkin and October. This fertile period also fed radical ideas in graphic film poster design. The state-controlled distributor Sovkino had a subdivision, Reklam Film, which designed posters for films across the Soviet Union. Tens of thousands were printed for each picture, and plastered over cities as mass marketing.

A forthcoming exhibition, “Kino/Film: Soviet Posters of the Silent Screen”, at the privately funded Gallery for Russian Arts and Design (Grad), which opened in London last June, celebrates the key exponents of this art. With original lithographs by brothers Georgii and Vladimir Stenberg, Yakov Ruklevsky, Reklam’s chief Aleksandr Naumov, Mikhail Dlugach and Nikolai Prusakov, the exhibition also incorporates film screenings and excerpts to show how cinematic technique – such as montage, repetition and “dramatic foreshortenings” – were borrowed by the poster makers.

Not many of these posters are left, and most are consequently highly valuable and imperfectly preserved. As Elena Sudakova, director of Grad and co-curator of the show, also explains, the years of disarray that followed the revolution created a great number of orphans, many of whom peeled the posters from city walls at night to wrap themselves in for warmth.

‘Kino/Film: Soviet Posters of the Silent Screen’ is at Grad from January 17 to March 29, grad-london.com

Related Topics

Copyright The Financial Times Limited 2014. You may share using our article tools.
Please don't cut articles from FT.com and redistribute by email or post to the web.

LIFE AND ARTS ON TWITTER

More FT Twitter accounts