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Messiah, Coliseum, London

Deborah Warner’s community play for Christmas is neither shocking nor uplifting and is too wishy-washy to stir the juices , writes Andrew Clark

El Sistema

A documentary about Venezuela’s music education system

Wagner: Der Ring des Nibelungen

Bayreuth Festival Orchestra performs the operatic cycle

Lear, Komische Oper Berlin

Hans Neuenfels stages Lear as an intimate drama, focusing on individuals and paring his metaphors down to a few strong images. The result is a staging of gut-wrenching power, writes Shirley Apthorp

Le Balcon, Grand Theatre, Bordeaux

Playing down the humour in Genet is as insane as taking a mournful approach to Joe Orton, his British alter ego. Not surprisingly, the opera met with a generally lukewarm response, writes Francis Carlin

The Dream of Gerontius, Royal Festival Hall, London

For all his research into performance practice in this country around 1900, Skidmore is no Elgarian – his ‘Gerontius’ was polite to a fault, writes Andrew Clark

Cecilia Bartoli, Barbican, London

The art of the castrato is the theme of the singer’s annual tour, but it is missing the great music that the castrati inspired, says Richard Fairman

Tamerlano, Music Center, Los Angeles

At 69, Domingo lends this historical tragedy of Tamburlaine and his foe the grandly scaled passion and robust vocalism not always present in even the most stylishly prepared 18th-century fare, writes Allan Ulrich

Between Two Worlds, Queen Elizabeth Hall, London

The oeuvre squeezed into Sunday’s marathon was so diverse that the Southbank Centre’s Alfred Schnittke retrospective might well have been titled Between Multiple Worlds, writes Andrew Clark

King of Chu, Shanghai Oriental Art Centre

In the elements that truly matter for the life of the piece – the music and the performance – this production is in another league entirely, writes Ken Smith

Anja Harteros: Von ewiger Liebe

Carlo Maria Giulini: Tchaikovsky, Dvorák, Mussorgsky

Peter Maxwell Davies: Taverner

Aldeburgh highlights, King’s Place, London

Schoeck: Notturno

Dargomyzhsky: The Stone Guest

Rachmaninov/Tchaikovsky: Piano Trios

Ildebrando D’Arcangelo: Handel arias and Sandrine Piau: Handel arias

Mendelssohn: Psalms

Roberto Alagna and Angela Gheorghiu: L’amico Fritz

Rachel Podger: Mozart and Haydn concertos

Joyce DiDonato: Colbran, the Muse

Roussel: Symphony No 1, etc

Strauss: Eine Alpensinfonie/Till Eulenspiegel

Elgar: The Fringes of the Fleet and Bax/Ireland: Concertino/Piano Concerto

René Jacobs: Die Schöpfung

Emmanuelle Haïm: La Resurrezione

Gianandrea Noseda: The Miserly Knight

Riccardo Chailly: Mendelssohn Discoveries

Anne Schwanewilms: Messiaen Poèmes pour Mi

Piotr Anderszewski: Unquiet Traveller

Cecilia Bartoli: Sacrificium and Karina Gauvin: Porpora Arias

Martha Argerich: Live at Verbier Festival

Shostakovich: Symphonies 5 & 9

Danielle de Niese: The Mozart Album

Tippett: String Quartets 3 & 5

Tchaikovsky: 1812 Overture etc

Nixon in China: Marin Alsop

Christine Brewer, Zankel Hall, New York

Usedom Music Festival, Usedom, Germany

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